billy

ビリー・コーガンがジョークを言っています。


レスラーとの対談のビデオで、なぜかマンソンの下半身を話題にしています。先日の共同ツアーの控室で目撃したのかしらね。
http://www.esquire.com/entertainment/music/news/a41947/billy-corgan-marilyn-manson-penis-size/

Why Does Billy Corgan Know How Big Marilyn Manson’s Penis Is?
Grado: Billy, what size is Marilyn Manson’s cock?
Corgan: Well, it’s bigger than yours.
Grado: You don’t know the size of my cock.
Corgan: No, I’ve seen your cock, it’s a bally half-incher.


先日、NINオフィシャル経由で豪華なアートブックを発表した、アーティストのラッセル・ミルズが、TDS当時のトレント・レズナーとの出会いについてコメントしています。
http://www.self-titledmag.com/2016/02/05/russell-mills-on-meeting-trent-reznor-and-his-haunting-nine-inch-nails-artwork/

Russell Mills On… Meeting Trent Reznor and His Haunting Nine Inch Nails Artwork
We headed for the bar. He had been in LA working on some soundtrack work for a few weeks and was bored out of his skull and incredibly frustrated with the place and the people. He told me he’d been spending every day working and having to deal with people, well arseholes, who were constantly wanting to change what he was trying to do. He was desperate for intelligent conversation―for English/Irish conversation―about art, politics, culture, music, films, humor. We talked about everything and anything well into the morning and got fantastically drunk. I think it was about 4:00 a.m. when we staggered up to our rooms, giggling uncontrollably. On the occasions since when we’ve met he has always given me a huge hug and thanked me for being their that night. I reciprocate as I think that fortuitous meeting saved us both that night.

Cargo In The Blood from Nine Inch Nails on Vimeo.

ミルズは、当時のマネージャーからの電話で、アートワークの依頼を受け、トレントやメンバーらと実際に逢い、いくつかのツアーにも同行したそうです。


Filterのリチャード・パトリックが、初期のNIN在籍当時の思い出話をしています。
http://www.alternativenation.net/richard-patrick-influencing-nine-inch-nails-broken-weve-got-to-drop-our-balls-flex-our-muscles/

Richard Patrick On Influencing Nine Inch Nails’ Broken: ‘We’ve Got To Drop Our Balls & Flex Our Muscles’
atrick: “Trent in 1988 was in a band called “The Exotic Birds” and I was in a band called “The AKT”. We were both really listening to bands like Ministry, With Sympathy, Skinny Puppy and we realized that you could be as mean as shit and you can use keyboards. Most stuff sounded like Kraftwerk or Depeche Mode. Depeche Mode was awesome, but they were so specifically Depeche Mode. So, we were worried that we had to be like Information Society or something. When I was in Nine Inch Nails, I jumped on at the end when he recorded Pretty Hate Machine and then he released Broken. There’s a huge sonic change from those two records and he thanked his live band for being an influence. That credit on that EP was the fact that I was always saying, ‘We’ve got to fucking make it heavy and mean, man. We’ve got to fucking drop our balls down a little bit and fucking flex our muscles, be mean and fucking make heavy music.’


音楽誌のボウイ特集号が発売されます。
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NINとボウイの「アウトサイド」ツアーの音源が発売されます。
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